Lowering the pitch of a cello, for example, affects its timbre completely differently than lowering the pitch of a French horn. This enables you to change them more directly. The Artificial Intelligence Studio Technology used in EINKLANG models the structures of sounds and specific nuances of different instruments. Find your very own sound and change it in real time while you play. Morph around, let EINKLANG’s engine take care of the specific synthesizer’s theoretical background. When slid along the sides of the triangle only two tone colors are morphed excluding the third one. When placed in one of the corners the corresponding tone color is heard solo. The colored gem inside the morph triangle can be moved around and determines the morph ratio for the three tone colors to form a new one. The morph triangle has three slots for tone colors, one in each corner. On the right side, you can see the Prest Browser allowing you to step through presets easily. Ableton Live, Steinberg Cubase/Nuendo, Apple Logic, and many others). Every parameter can be controlled by MIDI and recorded in a DAW (e.g. The parameters are arranged in three groups: loudness, timbre and modulation. On the left side you find musical parameters for controlling the instrument models and the synthesized sounds. Located in the center, you find the triangle morphing field which allows you to morph between three different tone colors, with ease. In order to do so, EINKLANG’s graphical user interface (GUI) has been designed sleekly and intuitive. For example, if you have a specific organ sound in mind, just take the three closest ones and morph around until you find your perfect personal setting. Morph a choir to a flute, or a guitar to a French horn, or anything you can imagine. The musician can concentrate on musical aspects, while the synthesizer does all of the underlying technical processing. These key features allow the user to think in plain sounds rather than mathematical equations and to control EINKLANG with only few musical parameters. loudness, pitch, timbre…) but also be morphed from one tone color to another. These instrument models can not only be tweaked directly in their musical parameters (i.e. amplitudes, frequencies, spectra…), EINKLANG re-synthesizes sounds using instrument models. Instead of synthesizing sounds like traditional synthesizers according to a set of technical parameters (i.e. EINKLANG is our first synthesizer following a new paradigm of sound generation.
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